June 24, 2009

Allen Toussaint's "The Bright Mississippi"

Allen Toussaint's "The Bright Mississippi" album covers a lot of ground. From time out of time to now. In light of that, it's not easy for me to say something meaningful and not inane. What am I hearing here? Everything that I have listened to for the last 50 years or so. It's all in there. Like the turns of the river itself, Toussaint takes you on a fugue-slow-drag-funky-parade-strut ride in and out of the musics that have been created and transformed by the Crescent City. The maestro has produced a work of art that needs listening to, again and again. The bottom resonation is felt in the chords and riffs that are part of the whole of African-Caribbean-American musical story. It's a journey we all take when we listen to and hear what is being expressed musically. I can't do the album justice by trying to describe the circle it encompasses. I can only encourage you to buy the album and listen to an important part of African music via the Caribbean as it entered the grand old port of New Orleans and was transformed into a music for the whole world to feast on. For a more thorough look at the album, go to Offbeat:

Henry selected the songs for The Bright Mississippi with “Tipitina and Me” in mind. “There was a certain kind of beauty,” he says. “It sounded old world, it sounded classical, deeply rhythmic like tango, with New Orleans rhythm but also had a deep blues tonality."

Also reviewed at the NY Times and Times-Picayune.

Download 09 Bright Mississippi

Download 07 Blue Drag

Download 02 Dear Old Southland

 PS This album deserves more than I wrote. I will try to do better. I haven't listened to it enough. As I listen again and again, I realize this again and again.

 

June 19, 2009

Prelude To Summer in NYC

06_17_3Although written long ago, E.B. White's essay "Here Is New York" remains one of the best testaments to the soul of the city.

"It is a miracle that New York works at all. The whole thing is implausible. Every time the residents brush their teeth, millions of gallons of water must be drawn from the Catskills...The subterranean system of telephone cables, power lines, steam pipes, gas mains, and sewer pipes is reason enough to abandon the island to the gods and the weevils...By rights New York should have destroyed itself long ago, from panic or fire or rioting or failure of some vital supply line in its circulatory system or from some deep labyrinthine short circuit. Long ago the city should have experienced an insoluble trafiic snarl at some impossible bottleneck. It should have perished of hunger when food lines failed for a few days. It should have been wiped out by a plague starting in its slums or carried by in by ships' rats. It should have been overwhelmed by the sea that licks at it on every side...It should have been touched in the head by the August heat and gone off its rocker...Mass hysteria is a terrible force, yet New Yorkers seem always to escape it by some tiny margin: they sit in stalled subways without claustrophobia, they extricate themselves from panic situations by some lucky wisecrack, they meet confusion and congestion with patience and grit--a sort of perpetual muddling through...there is not enough air and not enough light, and there is usually too much heat or too little. But the city makes up for its hazards and its deficiencies by supplying its citizens with massive doses of a supplementary vitamin: the sense of belonging to something unique, cosmopolitan, mighty and unparalleled."

 

White wrote his essay during a heat wave. New York City is tough when the humidity creeps in. The tunnels are a lesson in patience; waiting for that blessed AC car door to open taking you to untold places within the city that most of our ancestors first saw in the late 19th/early 20th century. No AC then. "...strangers who have pulled up stakes somewhere and come to town, seeking sanctuary or fulfillment or some greater or lesser grail. The capacity to make such dubious gifts is a mysterious quality of New York. It can destroy an individual or it can fulfill him, depending a good deal on luck." 

Since there has been a lot of press about this place and we are always on the grail trail for pizza, our first stop was Kesté. It's a little cramped, though we barely beat the lunch rush. The mammoth authentic Associazione Pizzaiuoli Napoletani oven looks like a mosque's roof. The tiny tiles glitter in the light. Firstly, the dough is very good. Thin at the center and thickly puffed around the edges with just the right amount of char. Chewy, but, but...not crispy enough for us. The chewy/crispy ratio is very important. We had the Regina Margherita. The toppings are of high quality and sparingly used. Would I return? No, but I would recommend it to you for a try. It might be your type of pizza.

 WaverlyPl 06_17_0

 

We walked a bit and then went to two NYC staples that are right next to each other on Bleecker Street, Amy's Bread for dessert and Murray's Cheese for aged Parmigiano Reggiano to nibble on with the Champagne that was chillin' in our hotel room. Did I mention that it was the beginning of Kathy's month long birthday celebration? Mea culpa. Gemini's are great exaggerators, thus the extended length of the birthday into the annual birthmonth. At the suggestion of Regina Schrambling  and her alter ego, after some obligatory Champagne in the room, we headed to the UWS branch of Fatty Crab. As recommended, we sat at the bar and ordered mainly from the snacks. The fatty pork-beef sliders spiked with Scoville-amped chili were my favorite. I could have had another 20 or so. The scallop satay was incredible. Slightly charred, tender and plump, interspersed with, what else, pork fat, and a crunchy peanut-chili dipping sauce that was addictive. The pork steamed buns were ok. Mostly bun and very little pork. Asians in the know get them elsewhere. Kathy ordered the skate Panggang that was smothered in a vibrant sambal that made you sit up. She also had two Gone Bamboo's and she was after the second one. I had a glass of French rose that went well with everything. Talkative New Yorkers eating the messy chili crab at the bar and a bartender ("none of my drinks are sweet") from New Orleans. And there you have it. Would I go back? Yes, because of the freshness of the food, the forward use of chili, spices and herbs and the friendliness of the bartender. Lot of "f's" there, non? I would like to try to the Village location too, but we walked back to the hotel from this location. Before that, we walked over to Fairway Market and picked up some aged Sherry Wine Vinegar. We hadn't been there since they expanded. Saturday morning we made a beeline for 9th St. Espresso. I had learned that Intelligentsia Coffee recently agreed to provide roasted coffee beans to 9th St. Espresso to create their own Alphabet City Blend. When we arrived at Chelsea Market they were closed! It was about 9:20 when the veil finally parted and we were allowed to order. With a hazelnut biscotti, the cappuccino was deep, robust and extremely smooth without a hint of bitterness. Without a doubt, one of the best I have ever had in the USA. Kathy's latte was also expertly brewed. You can tell that the baristas are into what they are doing and not just pumping out coffee mindlessly. I bought a pound of beans on Sunday. The black bags on the right are filled with the Alphabet City Blend of small light brown beans. Most espresso beans that I have seen are somewhat larger and darker brown-black. After we fueled up we headed south through the West Village and then east. We found our way to 2nd Ave and 4th St. but Ballaro was no more so we cabbed it to Lunetta on Broadway and 21st St. and found that they are doneski too. Lots of places closing or closed. We happened on the NYC BBQ Festival in Madison Park, but the place was overrun, so we ended up at Co., the home of no-knead pizza dough. Situated on a somewhat non-descript stretch of 9th Avenue, Co. is a smart looking minimalist place on the corner with lots of wondows. We opted for the benchmark Margherita and another topped with fennel sausage, red onion and porcini. Both were exceptional, the crust being both chewy and crisp with a good char from the gas propelled oven. We both agreed right off that Co. has it over Kesté. Co.'s quality ingredients are carefully spread on the dough without overwhelming it. The service was friendly and prompt. The wine list looks promising for a night visit. Two pizzas and a bottle of sparkling water came to about $40. I would go back. After a nap, we made our way to In Vino for an early dinner with hopes of catching Junior Mance's first set. Between the heat and humidity, our appetite was not voracious so we went light. We split a ricotta bruschetta, K. had lobster filled ravioli in a tomato-cream sauce and I had pappardelle con i gamberi arrabbiata. We opted for a Copertino Riserva from Puglia that was easy to drink and affordable. The draw here is the wines. The food is good and fairly priced, but not exceptional. I might go back, but there are so many places and so little time. It wasn't meant to be. We were too wiped to catch Junior Mance. It's a shame because people like him aren't going to be around forever. On the train back, we were entertained for $1. The car was full and at one point an older toothless small man in a blue denim jacket at the other end of the car began singing an old uptempo standard while shaking his styrofoam cup in rhythmic time. The certain way he sang toothlessly in key, shakin' his money maker, made me and another guy sitting across from me start to crack up. He gradually approached us knowing that he had us both. He had a bright eyes and sang with all his heart, but he knew he was funny. He cast a spell on those who appreciated it and made us laugh too. One of those NYC moments that remind me why we come to the City.

On Sunday morning, we had brunch at Markt. This brasserie is pretty reliable. The staff is friendly, the French press coffee strong and the Belgian waffles and omelettes wholesome and fresh. Then it was back to Chelsea Market to buy some Amy's foccaccia and other nibbles and to Buon Italia for Liparese capers, white anchovies and a jar of Calabrian crushed hot peppers. Just to prove it's not all about the food, we then went to Paracelsus on West Broadway below Prince. The senora who owns the store is a small frail woman from Milan who opened her unique clothing store 37 years ago before SOHO was galleries and high end boutiques and eateries. She appeared from the back of the store out of nowhere made up in multi-colored face paint in broad strokes on her cheeks and forehead, right out of Fellini. She is a unique person who has traveled the world and who knows la moda inside out. Her store is filled with clothing of fabrics and colors unlike any other clothing store that we have ever visited. She spoke of riding camels in Tunisia with her lover, of Berlusconi, Moamar Khadafy in Rome, Juventus and Paracelsus himself. There are autographed photos of many celebrities behind the register. She finally sold Kathy a Japanese black-on-black jacket that had circles of an off black-purple-silver color on it. She has some stories to tell and I would love to hear a few over a bottle of Italian wine.

June 09, 2009

DI/DO

 

 

 

Vongole

Cusumano_Benuara

 

Just when I thought cooking at home was making a comeback, Mr. Italian Wine Guy thinks we should making dining out in again. Of course, he is in the wine business so it makes sense to encourage people to dine out more often and while doing so order that bottle of Amarone or Nero d'Avola blended with Syrah. Just watch out for those seersucker pants. Red wine stains are murder on them. If you lucky enough to live in or close to a metropolis that has an abundance of quality restaurants, this makes sense, especially if you can afford it. Or if you live on Lipari, in Marsala or Soverato, it would make even more sense given what you could get for 70 Euros or less. Give me a solid pasta with vongole, I'm there. Imported pasta asciutta al dente with plenty of plumb sweet briney vongole with a little tomato and chile. But how many places get it right in the US of A.? Not many @ $15-$20+ a pop. I can name three. Two are/were in NYC. One is the late Vucceria and the other is Barbone on Avenue B. The third is in Newport, RI, at a little place called Pronto. We recently went to a new restaurant nearby in Albany. It's hot now. Everyone's there. ("No one goes there anymore. It's too crowded."-- Yogi Berra) The bar's hopping. The chef has a name he made for himself at Justin's in Albany and in Woodstock. Right down the street is superior place that is now half empty. I order the pasta with vongole @$18. It is non-descript lacking in kick and vitality. A glass of Regaleali rose can't redeem it. On the other hand, K's Thai-inflected noodles with shrimp was more flavorful as were the fried calamari app with hot Asian dip. So, do I go back after they get their legs? Do I want to pay $18 for another pasta with vongole that left me cold? Or do I order something else? The dinner--one appetizer, two entries, one cocktail, one glass of wine--total = $80+ with tip.

Alfonso hits on more than a few viable points about America Norte and its ambiguous relation with food and dining out. Is dining out recreation or theatre or both? Does it always have to be a reality show? Top Chef? People like to go out and dine with friends. Suspend time and cares for a few hours or more. Have a good time and drink some reasonably priced honest wines along with carefully prepared food that gets their attention. What with all the hyperbole, some restaurant entries require an adjective-heavy paragraph on the menu. How many reductions of reductions do you really need? Simple food with fresh ingredients, not tortured into something it isn't. I'll take a humble tavola calda in Italy over offal Babbo anyday. Too much and too little. Over the top and under the radar or the table. At times, dining in seeks to recreate the experience of dining out. Dining out attempts to fantasize being at the home table. You tell me.

If I buy a bag of 50 Rhode Island littlenecks (you Texans don't know what you are missing) for $18, Kathy will steam them to perfection with olive oil, white vermouth, shallots, Argentinian garlic, San Marzano tomatoes, hot red pepper, fresh herbs from our garden. She then tosses them with freshly cooked imported pasta asciutta al dente. We share some red from either Sicily or Puglia. We are silent as we eat, except for an occasional moan of enjoyment. And I don't have to worry about drinking too much wine and driving home or figuring out what 20% of X is.

May 30, 2009

A Rosé Is A Rosé Is A Rosé

Trio of rose' 1

From drought stricken Texas, Alfonso On-The-Italian-Wine-Trail Cevola gets us ready for the heat of summer with some excellent Italian rosé suggestions. He also has some fine food pairings to accompany these gems. How big are those Texas mosquitoes anyway?

May 23, 2009

Grand Opening Weekend at The Knickerbocker

The Knickerbocker Cafe in Westerly, RI officially opens this weekend. The faithful restoration of The Knick to its historic past state is now open for all to see, hear and dance to those musicians who make the music. During these uncertain times, it will again be a place for people to forget about all that. It was much the same during the 30's and the WWII years. So it is again now. The Mystic Horns kicked off the weekend last night. Tonight, The Pawcatuck River Valley Allstars comprised of Duke Robillard, Greg Piccolo, Johnny Nicholas, Sugar Ray Norcia, Joel Guzman, Doug James, Carl Querforth, Al Gomez and more. On Sunday night,  the great Delbert McClinton with The Texas Allstars opening. The Knickerbocker is back in the style with which its rich musical history is interwoven. 

May 06, 2009

The Tom Tom Club Issues a Catechism

I have always liked The Tom Tom Club and xxx-Tina Weymouth. We caught Talking Heads and them at SPAC in the 80's when their summer programming was much more interesting. That was in the "Speaking in Tongues" days. So when I read that McSweeney's had come out with The Tom Tom Club Catechism, I had to change my underwear.

Hiatus

Animamundi

I posted three times in April, an all time low for me. Allergies and outdoor work are the main reasons. It's not like I didn't hear lots of new music, drank some noteworthy wines, enjoyed some exceptional home made meals and discovered things on the Internets that I could have linked too. My ability to read books and longish web content is definitely affected by those microscopic bits of pollen and the detritus from last year. I pour loads of eye drops into my eyes everyday and take benadryl. My vision and neuron synapses suffer. So needless to say, I didn't post since what I would have posted would undoubtedly have been more inane than usual. This and Facebook.

So I will return to my impetus to start blogging in the spring-summer of 2005: New Orleans. That good ole warrior, Ashley Morris, would have appreciated this news about "The Wire", especially since David Simon wanted to speak with him about the city of New Orleans. Yeah mon, maybe the exodus will be stemmed and the TV wizard's wand will bring some of your city's soul into livingrooms around the planet. Maybe, just maybe, the rest of the country will finally realize how much the city has given it. There are so many things El Norte; as tangible as an oyster po' boy and as intangible as rolling a certain way.

Then there is that other word smith at Toulouse Street who continually lambasts my soul with his prose-poetry. He's always riffing on something that gets under your skin like scar tissue. His words rumble around within your head for days and weeks.

Oh, one more thing Allen Toussaint's "The Bright Missippissi". Listen to it a few hundred times.

 

"The portion we see of human beings is very small: their forms and faces, voices and words, their ages and race perhaps; beyond these, like an immense dark continent of which their obvious self is but a jetting headland, lies all that has made them--generations vanishing into the barbarous night; accidents and impacts not only on themselves but upon their forebears; the cry of the conqueror, the sighing of slaves. Even the chemical variation of substances--airs, food and waters--are all gathered to that point of light which is the person we know. He himself is unable to communicate, forced to use fluid words as if they were solid, and --if Anglo-Saxon and well brought up--is anyway not expected to wish to communicate at all. And when two human beings meet even in the most simple intercourse, it is not the tiny visible substances, but the immense invisibles that come together. It is these that must determine the liking or disliking over which we have so little control."

Freya Stark

April 14, 2009

Maud Newton's "When The Flock Changed"

One day during the spring of 2005, I was in the car listening to WAMC, the NPR affiliate in Albany, NY. The Albany-NYC telephone discussion was about literary bloggers. One of the bloggers was Maud Newton. I honestly can't remember the names of the other three bloggers. I read all of their blogs for a time after I jotted their url's down from my dubious memory bank later when I reached home. I do not own all those gizmo-gadgets that would have enabled me to bookmark those sites as they spoke. Did they exist then? I'm sure they did, but what did I know. Some literary blogs can be very boring. Just like any other blog. Some were and I quickly jumped ship. There was no stylish sense of humor and ironic self-deprecation. There was simply book talk, which is ok as long as it is infused with an engaging conversational tone that makes you return. Blogging literature as improvisational jazz, let's say. There is a person typing those blog entries who can make you laugh, wonder, ponder, empathize, say yeah, say right, say a lot of things that you want to say, but maybe couldn't articulate in quite the same way. I still read Maud's blog mostly everyday. A friend of hers, Lux Lotus starlite, Lauren Cerand, encouraged me to start a blog. You can blame her.

Let me get to the point before wandering away. Maud Newton is working on a novel. Narrative Magazine has published the full excerpt from her book here. Please read it slowly. It's not that long. You will remember her name.

April 07, 2009

The Knickerbocker Is Back!

Knicklogo  Knick logo: Sally Sorensen

Here's a very good piece about The Knickerbocker Cafe in The New London (CT) Day. I picked up on the sound quality when at The Knick a few weeks back. Not only was the music good, but the volume and loudness were right for the room's acoustics. Very important for the musicians and the ears out in the crowd. The sound system has been tailored to the room. Not too much and not too little. Just right.

April 02, 2009

Remember Ashley Morris

Ashley

 

I miss Ashley Morris. I miss his style, humor and tenacity. He was New Orleans. He was no poseur; didn't have time for that. His rants are unique in the blogosphere. No one can touch him there. Not even close. I doubt that anyone who knew him in one way or another will forget him.

Remember Ashley Morris

He would have been pleased to hear of Wendell Pierce and The Wire's "Treme".

 

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